Just a warning: there are some spoilers in this review that I did not tag, so read at your own risk.
(Also, I feel like I need to say that this review does not reflect what I think of the author herself or of other readers who enjoyed this series. You are free to love what books you love! I'm just not able to jump on this bandwagon. D: Stay chill, my friends. :))
One
sentence summary: Celaena Sardothien is now the King's Champion, and
must keep up a daily charade of pretending to be his ally while
simultaneously plotting to tear him apart; meanwhile she keeps
discovering more secrets below the castle, secrets so deep that they
could destroy the world.
I once mentioned that a book
made me so frustrated that I actually threw my Kindle. Well, this is
the book in question. And it was more of a toss. Onto my bed. But the
fact remains that I was so flustered and even angered by the ending of
this book that I was willing to make my beloved Kindle airborne.
I desperately
wanted to love this book, just as I wanted to love the first in the
series. Normally when a series becomes wildly popular, I either
appreciate the hype or I can at least understand it, but with this
series, I honestly just can't. I really do not understand why this
series is so popular, and I really do not understand why people prefer
this book to the first. I found this book to be worse.
Let me start with what I did like:
∙Celaena's breakdown:
This actually happened in the fourth novella as well, which was why it
turned out to be my favorite. Her breakdown provided a much-needed
vulnerability to her character for the reader. It was very human of
her, and for once she didn't seem so vomit-inducingly perfect. It also
reminded us that she actually is an assassin and will always turn to bloodlust when confronted with such strong emotions.
∙The underground everything:
I was glad to see that the underground passageways were still alive
and well, considering they were my favorite part of the first book. The
mysteries and discoveries and cool traps and doors and hallways, etc. I
do have to admit that it's taking a bit of a weird turn, but I still
like it.
∙Celaena actually killed people!: Yay. Because she is, you know, an assassin.
Perhaps
the biggest issue is that I simply did not like any of the main
characters or the overall plotline; considering these two aspects are
what basically make a novel what it is, I may have been doomed
to dislike this series from the beginning. Celaena is too perfect,
Dorian is too boring and Chaol is too predictable. They all are so
stuck in these personality traits that it's hard to see them as three
dimensional characters. They are flat and, quite often, unlikeable. I
honestly think that Mass has a lot of good ideas, but they're buried
underneath her inability to create complex characters and her juvenile
writing.
It's not that she's incapable of creating an
interesting character, it's just that there's one aspect of them that's
so heavily focused on that any other intended trait gets pushed to the
side, making them seem like caricatures. Even Nehemia, perhaps the most
interesting character, fell prey to this. Maas made her so noble that
she seemed almost inhuman. And that's the issue with these characters -
they don't feel real. If I'm constantly reminded of how two dimensional a character is, how am I supposed to get into the story?
I'm
also extremely unimpressed with the reliance on the shock value, which
this book had. I have been in Celaena's head, both as a first person
narrator and as a third person narrator. There should be no reason for
her hiding the fact that she's a Queen (which wasn't much of a shock)
and that she's a faery (which was) from the reader. How could Celaena
not once thought of those things? How, as a reader, am I expected to
just passively accept this as valid instead of as a ploy to cover up a
mediocre story? The thing is, had Maas no decided to pull this, I might
have actually enjoyed the book. If she could have just revealed this
earlier and relied on her writing to further explain it to the reader
while hiding from the characters, she might have had the opportunity to
create something fanastic. Instead, she went the cheap route which only
served to highlight all of the other instances in the book that felt
poorly written.
The ending felt so rushed and so disorganized
that I felt like I needed to just buckle down and finish it in order to
get it over with. After the original reveal, which is Celaena's faery
power, I honestly started finding everything to be ridiculous. Maas
seemed to have gone to such lengths to destroy the image of Celaena as a
Mary Sue, and then she adds the superhero power onto her, putting the
character right back where she started.
All in all, I am still a
bit baffled as to why this series is as popular as it is, but I know
that I'm very much in the minority on this. I cannot look past being
emotionally manipulated by the author and I can't shake the "big
reveals" as anything other than a cheap trick to cover up insecure
writing.
Showing posts with label crown of midnight. Show all posts
Showing posts with label crown of midnight. Show all posts
Wednesday, December 10, 2014
Tuesday, October 28, 2014
BOOK REVIEW | Throne of Glass by Sarah J. Maas
Okay, I've been meaning to post my reviews on both Throne of Glass and Crown of Midnight for awhile. As most of you know, I didn't enjoy either and am currently reading Heir of Fire. I reviewed this book back in 2013, but I'm tweaking it a bit to make it more appropriate/verbalize my thoughts better.
One sentence summary: Throne of Glass is about an assassin named Celaena - who is now in a slave labor mine due to a betrayal - that is propositioned by the Prince of her Kingdom to fight in a tournament that will determine who the next King's Champion will be.
When I initially began reading Throne of Glass, I slogged through about 20% of it and was so unimpressed that I thought it would be a very rare DNF. But I was determined. So many people were raving about this that I kept convincing myself to read more. When I realized there were novellas, I thought that I would try to read them in order to establish the universe more. (This is already very telling of how weak I find the world building to be. You should never have to read a novella because you can't make it through the novel.)
After my four star review of The Assassin and the Empire, I was really hoping that returning to the actual book would be a more positive experience. The novellas cemented the world that Maas had created for me and I felt prepared to tackle the novel itself again; they also proved that she is a very capable storyteller. Unfortunately, I think the novel just can't compare to the atmosphere created by her shorter works.
The first thing that bothered me was the fact that the world worships a Goddess who has gods as her consorts, yet treats women as inferior. I cannot wrap my mind around this. Technically, women should be more powerful than they are because cultures and religion are almost one in the same: one always mimics the other. I started trying to justify it, thinking maybe it was one of those things where the gods were more important and the Goddess was more how we consider Mother Earth to be, but no, it's more important. She seems to be the most important deity. They have a High Priestess who runs church services... church services. As I mentioned before, religion and culture are so intertwined that to have a woman be the leader of a religious aspect of the world, but not in a secular aspect truly makes no sense (and is normally the other way around). Also, the fact that she has consorts, which means that the gods are inferior to her... I see no reflection of this whatsoever in the cultural attitudes of the people. This is a world-building mistake that I think most people will be able to get over, but it really bothered me.
(An example of well-done inclusion of culture and religion is A Game of Thrones. The religion changes the culture - or the culture changes the religion - depending on what the person believes in: the Great After, The Old Gods, R'hllor, The Seven, etc.)
The second thing to bother me was this: the lack of mention of Sam. After reading the novellas and learning about this character named Sam who played a very important role, this didn't make sense to me. I also had a problem with Dorian, the main love interest.
Even though I didn't find the love triangle itself annoying, I did find the interest in Dorian to be distracting from the story and an unnecessary story arc. She immediately pounces on the opportunity to be in a relationship with him because he likes books and is handsome. I expect a bit more caution from someone who is an assassin.
Speaking of being an assassin... why was there so little murder or assassinations in this novel? There were so many passages telling me about how perfect Celaena was: she could play piano, she was beautiful, she was intelligent, she was witty, she was the best assassin ever... which makes me wonder what kind of second-rate assassins she must have been running with because, seriously, why the hell wasn't there any assassinations happening? Show. Don't tell. I don't care how much you hit me over the head with Celaena's bad assery, if I never see it, it doesn't exist.
I also had some trouble figuring out who was narrating. There were many times when it was a close third person narration of Dorian or Chaol, the other main male character, but then something would happen and the narration would say that the narrator didn't see it. If the narrator didn't see it, then how could the reader see it? I can think of a particular moment when it is Dorian who is narrating the chapter, but something happens behind his back that Chaol sees. If Dorian didn't see it, how did I learn about it in that chapter? Who is narrating that scene? I think part of the reasons Maas' novellas were so strong in their narration was that they were solely through Celaena's eyes. Switching between narrators can be done and I tend to like books more when there is more than one narrator, however the multiple narrations in this novel were executed poorly.
Creating an entirely new world is a struggle and I congratulate Maas for being able to come up with some really creative plot points and details. I like that she includes other races, which is a rarity in YA books. I like that two girls can talk to each other and be friends without all the cliche girl-hate. Thank you, Maas, for that! It's very needed in the YA world.
I originally ended this on a different note, but I have deleted the ending of my original review because I'm not sure who I would recommend this to anymore. I suppose all I can say is that most people seem to enjoy it, but I just can't bring myself to overlook what I find to be glaring holes in her world building and narration.
And now you know what I dislike about Throne of Glass. I'll upload my Crown of Midnight review tomorrow, but that one will take a bit more re-working than this one did. I was pretty angry after I finished that one...
One sentence summary: Throne of Glass is about an assassin named Celaena - who is now in a slave labor mine due to a betrayal - that is propositioned by the Prince of her Kingdom to fight in a tournament that will determine who the next King's Champion will be.
When I initially began reading Throne of Glass, I slogged through about 20% of it and was so unimpressed that I thought it would be a very rare DNF. But I was determined. So many people were raving about this that I kept convincing myself to read more. When I realized there were novellas, I thought that I would try to read them in order to establish the universe more. (This is already very telling of how weak I find the world building to be. You should never have to read a novella because you can't make it through the novel.)
After my four star review of The Assassin and the Empire, I was really hoping that returning to the actual book would be a more positive experience. The novellas cemented the world that Maas had created for me and I felt prepared to tackle the novel itself again; they also proved that she is a very capable storyteller. Unfortunately, I think the novel just can't compare to the atmosphere created by her shorter works.
The first thing that bothered me was the fact that the world worships a Goddess who has gods as her consorts, yet treats women as inferior. I cannot wrap my mind around this. Technically, women should be more powerful than they are because cultures and religion are almost one in the same: one always mimics the other. I started trying to justify it, thinking maybe it was one of those things where the gods were more important and the Goddess was more how we consider Mother Earth to be, but no, it's more important. She seems to be the most important deity. They have a High Priestess who runs church services... church services. As I mentioned before, religion and culture are so intertwined that to have a woman be the leader of a religious aspect of the world, but not in a secular aspect truly makes no sense (and is normally the other way around). Also, the fact that she has consorts, which means that the gods are inferior to her... I see no reflection of this whatsoever in the cultural attitudes of the people. This is a world-building mistake that I think most people will be able to get over, but it really bothered me.
(An example of well-done inclusion of culture and religion is A Game of Thrones. The religion changes the culture - or the culture changes the religion - depending on what the person believes in: the Great After, The Old Gods, R'hllor, The Seven, etc.)
The second thing to bother me was this: the lack of mention of Sam. After reading the novellas and learning about this character named Sam who played a very important role, this didn't make sense to me. I also had a problem with Dorian, the main love interest.
Warning: There is a bit of a love triangle in this story.
Disclaimer: I didn't
find it to be annoying.
Even though I didn't find the love triangle itself annoying, I did find the interest in Dorian to be distracting from the story and an unnecessary story arc. She immediately pounces on the opportunity to be in a relationship with him because he likes books and is handsome. I expect a bit more caution from someone who is an assassin.
Speaking of being an assassin... why was there so little murder or assassinations in this novel? There were so many passages telling me about how perfect Celaena was: she could play piano, she was beautiful, she was intelligent, she was witty, she was the best assassin ever... which makes me wonder what kind of second-rate assassins she must have been running with because, seriously, why the hell wasn't there any assassinations happening? Show. Don't tell. I don't care how much you hit me over the head with Celaena's bad assery, if I never see it, it doesn't exist.
I also had some trouble figuring out who was narrating. There were many times when it was a close third person narration of Dorian or Chaol, the other main male character, but then something would happen and the narration would say that the narrator didn't see it. If the narrator didn't see it, then how could the reader see it? I can think of a particular moment when it is Dorian who is narrating the chapter, but something happens behind his back that Chaol sees. If Dorian didn't see it, how did I learn about it in that chapter? Who is narrating that scene? I think part of the reasons Maas' novellas were so strong in their narration was that they were solely through Celaena's eyes. Switching between narrators can be done and I tend to like books more when there is more than one narrator, however the multiple narrations in this novel were executed poorly.
Creating an entirely new world is a struggle and I congratulate Maas for being able to come up with some really creative plot points and details. I like that she includes other races, which is a rarity in YA books. I like that two girls can talk to each other and be friends without all the cliche girl-hate. Thank you, Maas, for that! It's very needed in the YA world.
I originally ended this on a different note, but I have deleted the ending of my original review because I'm not sure who I would recommend this to anymore. I suppose all I can say is that most people seem to enjoy it, but I just can't bring myself to overlook what I find to be glaring holes in her world building and narration.
And now you know what I dislike about Throne of Glass. I'll upload my Crown of Midnight review tomorrow, but that one will take a bit more re-working than this one did. I was pretty angry after I finished that one...
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